All Courses
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TIJA 8522A: Intrm WrittenTrans to Japanese
Builds on the theoretical and practical foundation laid in Introduction to Translation and introduces the translation of specialized subject matter. Depending upon the language program in which they are enrolled, students will be expected to acquire and demonstrate basic proficiency in the sight and written translation of either commercial and economic texts, legal texts, or scientific and technical texts. The amount of emphasis accorded to a particular topic will depend on the specific professional requirements of each language program. Course assignments will include readings, research, presentations, practice and graded exercises in sight translation, and practice and graded written translation assignments, including exercises in speed translation. Students will also be expected to take at least one midterm and one final exam. The frequency, nature, and structure of course assignments and examinations are largely at the discretion of the instructor(s) of record. <br /> <p>Prerequisite: Introduction to Translation or equivalent background.</p>
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TIJA 8524A: Interm Sight Trans to Japanese
Builds on the theoretical and practical foundation laid in Introduction to Translation and introduces the translation of specialized subject matter. Depending upon the language program in which they are enrolled, students will be expected to acquire and demonstrate basic proficiency in the sight and written translation of either commercial and economic texts, legal texts, or scientific and technical texts. The amount of emphasis accorded to a particular topic will depend on the specific professional requirements of each language program. Course assignments will include readings, research, presentations, practice and graded exercises in sight translation, and practice and graded written translation assignments, including exercises in speed translation. Students will also be expected to take at least one midterm and one final exam. The frequency, nature, and structure of course assignments and examinations are largely at the discretion of the instructor(s) of record. <br /> <p>Prerequisite: Introduction to Translation or equivalent background.</p>
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PSCI 0251A: Identity/Conflict South Asia
<strong>Identity and Conflict in South Asia</strong><br /> In this course we will examine political development and conflict in South Asia through the concept of identity. South Asians take on a variety of identities -- ethnic, religious, linguistic, caste, national, etc. These identities often form the basis of political mobilization and both inter- and intrastate conflict. We will study the general concept of identity, including how identities are constructed and used, and then specific manifestations in South Asia. We will also examine the question of whether these identities were constructed during colonial or post-colonial times, or have an earlier basis. <em>(International Relations and Foreign Policy)/</em>
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WRPR 0210A: Social Class & the Environment
<strong>Social Class and the Environment</strong><br /> In this course we will explore the consequence of growth, technological development, and the evolution of ecological sacrifice zones. Texts will serve as the theoretical framework for in-the-field investigations, classroom work, and real-world experience. The Struggle for Environmental Justice outlines resistance models; Shadow Cities provides lessons from the squatters movement; Ben Hewitt's The Town that Food Saved describes economy of scale solutions, and David Owen's The Conundrum challenges environmentalism. Texts will guide discussions, serve as lenses for in-the-field investigations, and the basis for writing. We will also travel to Hardwick and Putney, Vermont, to explore new economic-environmental models. (Not open to students who have taken ENVS/WRPR 1014)
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WRPR 0334A: Writing and Experience
<strong>Writing and Experience: Exploring Self in Society</strong><br /> The reading and online writing for this course will focus on what it means to construct a sense of self in relation to the larger social world of family and friends, education, media, work, and community. Readings will include nonfiction and fiction works by authors such as Maya Angelou, James Baldwin, Andre Dubus, Tim O'Brien, Flannery O'Connor, Amy Tan, Tobias Wolff, and Alice Walker. Students will explore the craft of storytelling and the multiple ways in which one can employ the tools of fiction in crafting creative nonfiction and fiction narratives for a new online magazine on American popular culture. This magazine will have been created by students in Writing on Contemporary Issues. Narratives about self and society will therefore lean towards aspects of American popular culture. 3 hrs sem.
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FMMC 0104A: Television & American Culture
<strong>Television and American Culture</strong><br /> This course explores American life in the last seven decades through an analysis of our central medium: television. Spanning a history of television from its origins in radio to today’s digital convergence via YouTube and Netflix, we will consider television's role in both representing and constituting American society through a variety of approaches, including: the economics of the television industry, television's role within American democracy, the formal attributes of various television genres, television as a site of gender and racial identity formation, television's role in everyday life, the medium's technological transformations, and television as a site of global cultural exchange. Note to students: this course involves substantial streaming of television for assigned viewing. 3 hrs. lect./disc. / 3 hrs. screen
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SPAN 6793A: Pol & Violence:Span Am TheaterTheatre of Crisis
Theatre of Crisis: Politics, Violence, and Memory in Spanish America<br /> <br /> This course offers an examination of the pervasive topic of violence and its relation to politics in contemporary Spanish American theatre from the second half of the twentieth century to the present. We will center our discussions on three controversial and debated issues: 1) The role of politics within the discourse of theatre, 2) the implications and repercussions of staging the violence experienced by the members of society, 3) and the victims’ attempts to face their violent past by preserving memory. In this way Spanish American theatre bears witness and documents the struggle for human rights in the region and the need to never forget. (1 unit)<br /> Readings<br /> La maestra (Colombia) – Enrique Buenaventura <br /> La noche de los asesinos (Cuba 1965) – José Triana (Cuba)<br /> El campo (Argentina 1965) – Griselda Gambaro<br /> La pasión según Antígona Pérez (Puerto Rico 1968) – Luis Rafael Sánchez <br /> El señor Galíndez (Argentina 1973) – Eduardo Pavlovsky<br /> El juego (Venezuela 1976) – Mariela Romero <br /> Pedro y el Capitán (Uruguay 1979) – Mario Benedetti<br /> El viaje de los cantores (México 1988) – Hugo Salcedo (ver web) <br /> La muerte y la doncella (Chile 1990)– Ariel Dorfman<br /> Cuarteto (Argentina 1991) – Eduardo Rovner<br /> Contracciones- Marta Betoldi<br /> Required texts: Eds. Frank Dauster, Leon Lyday, & George Woodyard, 9 dramaturgos hispanoamericanos: Antología de teatro hispanoamericano del siglo XX: Tomo I (La noche de los asesinos) (Ottawa: Girol Books 2nd ed., 1983 or most recent<br /> ISBN 0-919659-37-3; Luis Rafael Sánchez, La pasión según Antígona Pérez<br /> 16th ed., 2000 or most recent, (Río Piedras, PR: Editorial Cultural) ISBN 84-399-3092-5;<br /> Mario Benedetti, Pedro y el Capitán (Publisher: Punto de Lectura) 2006 (or most recent)<br /> ISBN-10: 9707311320 ISBN-13: 978-9707311329; Ariel Dorfman, La muerte y la doncella (Nueva York: Siete Cuentos), 2001, ISBN-10: 158322078X ISBN-13: 978-1583220788
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SPAN 3411A: Practicum: Adv Written Comm.
<strong>Practicum in Advanced Written Communication</strong><br /> <br /> This course is designed for those students who need to develop their writing production skills, and who are making the transition from fourth-semester (Intermediate) to Advanced coursework in Spanish. Throughout the course, students shall analyze different discursive genres (text types), establish the base from which to improve their syntax, learn orthographical rules, refine their use of discursive connectors, and expand their vocabulary. The main goal is for the students to create their own texts intended for different communicative objectives, and acquire the necessary tools to develop their own style in Spanish writing. (1 unit)
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FOOD 0312A: Food Policy
<strong>Food Policy</strong><br /> Food policy is about how decisions are made in the food system, affecting who eats what, who grows food and how. In this course, we will investigate important current topics in food policy at different scales (local to international). Using a range of readings and background sources on food policy, students will learn about contentious issues affected by policy (e.g., debt relief for Black farmers, land reparations, federal food assistance to low-income people, adoption of climate-resilient farming practices). (formerly INTD 0312) 3 hrs. sem.